Master Your Mix Podcast
Through interviews and Q&A episodes, Mike Indovina shares recording tips and techniques to help engineers, artists, and producers improve the quality of their recordings and mixes (even from a home studio).
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Check out previous episodes below:
EP 318: Howard Bilerman – Not Letting Production Hide the Song
Howard Bilerman is a Grammy-nominated musician, sound engineer & record producer who has been recording bands for over 30 years. As co-owner & head engineer of the hotel2tango recording studio in Montreal, Bilerman has enjoyed working with some of Canada’s most talented artists, as well as others from the USA, the UK, France, Italy, Scotland, Africa, Spain, Ireland, Switzerland, Portugal & Australia.
EP 317: Eric Stenman – Having an “always mixing” approach to production
Eric Stenman is an LA-based producer, mixer, and engineer whose four-decade credit list runs from Deftones, Thrice, and Weezer to Daniel Caesar’s Grammy-nominated Freudian and every AWOLNATION album since 2011’s Megalithic Symphony. A decade running Red Bull Studios in Los Angeles gave way to overseeing AWOLNATION’s own Malibu studio, where Stenman has helped engineer some of alternative rock’s biggest, guitar-built (and famously bass-guitar-free) low end. Most recently, he’s stepped from behind the board into the band itself, co-founding the metallic-hardcore project The Barbarians of California with longtime collaborator Aaron Bruno.
EP 316: Jon Estes – Working to make the song succeed
Jon Estes is a Nashville producer, mixing engineer, and multi-instrumentalist who works roughly 200 sessions a year, often as bassist, engineer, and producer on the same record. He’s played on Kesha’s Grammy-nominated Rainbow and Robyn Hitchcock’s self-titled album, and produced and mixed full-length records for Jessie Baylin, Dara Tucker, and Langhorne Slim, most recently engineering and mixing rising country breakout Waylon Wyatt’s 2026 debut Dustpiles. He also scores for TV (NBC, HBO, Disney) and video games (Fortnite). Estes runs a hybrid analog/digital studio in Nashville built around a 1″ tape machine and a deep collection of vintage instruments.
EP 315: Craig Parker Adams- Adapting to every client
Craig Parker Adams is a Los Angeles-based recording and mixing engineer, producer, and guitarist with over 25 years of studio experience at his Hollywood-based Winslow Ct. Studio. He’s contributed to 8 Grammy-nominated projects with 2 wins across Blues, Folk, Americana, and Latin Pop, including co-producing and engineering Dave & Phil Alvin’s Common Ground and recording Gaby Moreno’s ¡Spangled! with Van Dyke Parks. Since 2014, he’s served as the exclusive mixing engineer for the Zappa Family Trust, overseeing archival releases drawn from Frank Zappa’s legendary Vault, including The Hot Rats Sessions and The Mothers 1971.
EP 314: Howie Beck – The Advantages of Working with Limitations
Howie Beck is a Toronto-based mixer and producer whose credits include Feist, Barenaked Ladies, Ron Sexsmith, Walk Off The Earth, and Charlotte Day Wilson, whose breakout single “Work” he mixed and co-produced. Before turning to mixing full-time, Beck built a cult following as a solo artist, writing, performing, and recording every instrument on albums like Hollow and How to Fall Down in Public himself. He’s been nominated for three Juno Awards in three separate categories: Album, Recording Engineer, and Producer of the Year, a rare spread that reflects his range. He now runs Studio H, a Dolby-approved Atmos mix room in Toronto’s Queen West.
EP 313: Brendan Dekora – Understanding an Artist’s Vision
Brendan Dekora is a Los Angeles-based mixing engineer and producer whose two-decade climb through top studios like EastWest culminated in a full-time engineering post for Trent Reznor and Atticus Ross, earning him a Grammy for his work on Pixar’s Soul score. His credits also include Foo Fighters’ Concrete and Gold, Steven Wilson’s Hand. Cannot. Erase., Billy Idol, Danzig, Muse, and Deafheaven.
EP 312: Steven Lee Tracy – Mixing Fast To Stay Objective
Steven Lee Tracy is the owner, producer, and mixing engineer at Saint Cecilia Studios in Tucson, Arizona. Before he was behind the board, he was on stage: a decade as guitarist and songwriter in Seattle indie-rock band The Myriad, whose single “A Clean Shot” became MTV’s most-played video in spring 2008 after the band won MTV2’s Dew Circuit Breakout.
EP 311: Joe Caithness – Mastering for Video Game Soundtracks
Joe Caithness is a mastering, transfer, and restoration engineer based in Nottingham, UK, with over 18 years of experience and more than 1,500 completed projects to his name. He’s become the go-to engineer for video game soundtrack vinyl and digital releases, having mastered over 260 titles for Laced Records alone, including Resident Evil, Bloodborne, Borderlands, and Dead Cells.
EP 310: Bruno Barcella – The Analog Sound in a Digital Mix
Bruno “Brown” Barcella is a recording, mixing, and production engineer based in northern Italy. He got his start behind a drum kit, touring the US and Europe with bands like Miss Chain & The Broken Heels before crossing to the other side of the glass.
EP 309: Toby Lloyd – The Studio As A Therapeutic Space
Toby Lloyd is a Music Producer, Studio Owner, Mixing Engineer, Artist, and Film Score Mixer from New Zealand who has worked with artists such as Shapeshifter, Nightmares on Wax, Hollie Smith, Blindspott, and Stan Walker, and has also worked on films like Avatar 2, The Hobbit Trilogy, and Hunt For The Wilderpeople.
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