Master Your Mix Podcast
Through interviews and Q&A episodes, Mike Indovina shares recording tips and techniques to help engineers, artists, and producers improve the quality of their recordings and mixes (even from a home studio).
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Check out previous episodes below:
EP 240: Chris Baseford – How to Create Wide Mixes (Revisited)
Chris Baseford is a Canadian producer, engineer, & mixer that has worked with top artists like Nickelback, Shinedown, Rob Zombie, Tommy Lee/Motley Crue, Avril Lavigne and several world-renowned producers and songwriters. Before going freelance, he worked for Sony Music and The Chop Shop Studios. IN THIS EPISODE YOU’LL LEARN:How to dial in guitar tones that give […]
EP 239: Graham Walsh – Being Experimental During Production
Graham Walsh is a Juno Award and Polaris Prize nominated composer and producer from Toronto, Canada. As a co-founding member of the experimental/electronic group Holy Fuck, Graham is known for consistently pushing the boundaries of music. He has carved a niche for himself as a masterful creator, producer, and performer, and his journey through the […]
EP 238: Carlos Mas – Having a Top-Down Mixing Approach
With over a decade of experience, Carlos Mas is a Grammy and 2x Latin Grammy nominated, Juno Award winner, and Billboard charting Engineer, Mixer, and Producer. His portfolio includes collaborations with renowned artists such as: Roger Waters, Mötley Crüe, YUNGBLUD, MGK, Stormzy, Brent Faiyaz, Jessie Reyez, Summer Walker, Chase & Status, Gordon Raphael, Mahalia, Kojey […]
EP 237: Eric Valentine – Giving Instruments Clarity in a Mix
Eric Valentine’s journey into music started with a $50 drum set from a garage sale and drum lessons at age nine. By 12, he was experimenting with home recordings, and by high school, he had a 4-track recorder and was recording local musicians. At 17, he and a friend launched a 16-track studio in a […]
EP 236: Robin Schmidt – Mastering Records for The 1975
Robin Schmidt played the drums from the age of 9, the guitar from the age of 12 and was recording 8-track demos at the age of 14. During his youth, he played in a big band, a jazz quartet, pop, rock, ska and even death metal bands while recording anyone and anything, from Britpop to […]
EP 235: Tim Palmer – The Hidden Details of a Great Mix
Tim Palmer is a renowned producer and mixer who has worked with an extensive roster of iconic artists, ranging from Robert Plant, David Bowie, and Tears for Fears to Ozzy Osbourne, The Goo Goo Dolls, and U2. With the recent success of The Psychedelic Furs’ latest album, which he mixed, Tim has achieved the remarkable […]
EP 234: Gavin Lurssen – The Importance of Your Signal Chain
Gavin Lurssen has been a mastering engineer since 1991. He is a thirteen-time Grammy nominee and four-time Grammy winner. Artists whose albums he has mastered include Ringo Starr, Jackson Browne, the Foo Fighters, Ben Harper, Queens of the Stone Age, Robert Plant & Alison Krauss, Eric Clapton, Sara Bareilles, and Chvrches, to name just a […]
EP 233: Michael Beinhorn – The Importance of a Producer
Michael Beinhorn co-founded the New York musical collective Material in 1979 with Bill Laswell. Since then, he has collaborated with and produced a diverse range of recording artists including The Red Hot Chili Peppers, Soundgarden, Soul Asylum, Hole, Aerosmith, Herbie Hancock, Brian Eno, Ozzy Osbourne, Marilyn Manson, Social Distortion, Korn and Mew. Michael’s combined worldwide record […]
EP 232: Mike Marsh – Using Reference Tracks During Mastering
Mike Marsh is a world-renowned mastering engineer with over 30 years of experience in mastering audio for vinyl, CD, DVD, HD audio, and digital downloads. After nearly three decades at The Exchange Mastering Studios in London—where he worked on iconic albums for artists like Björk, Massive Attack, and Oasis—Mike established Mike Marsh Mastering in East […]
EP 231: Mark Rankin – Making Instruments Sound Like They Do in a Room
Mark Rankin is an English record producer and audio engineer. He has won two Grammy Awards for his work with Adele and has multiple nominations for his work with other artists including Queens of the Stone Age, Iggy Pop, Weezer, Florence and the Machine, and Foster the People. Rankin started his studio career in the London […]