Master Your Mix Podcast
Through interviews and Q&A episodes, Mike Indovina shares recording tips and techniques to help engineers, artists, and producers improve the quality of their recordings and mixes (even from a home studio).
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Check out previous episodes below:
EP 115: Jason Livermore – Recording Punk Music
Jason Livermore received his first snare drum at the age of three. Years later, Jason took up bass and guitar, but returned to drums because he liked them better. In junior high Jason discovered punk rock. His first vinyl purchase was the infamous, “Milo Goes to College”. He played in various bands throughout high school […]
EP 114: Jim Stewart – How to Survive as a Studio Owner
Jim Stewart is a Mixing Engineer and Producer based in Cleveland Ohio. Over the past 15 years, he has worked with some of the most promising local, regional and national artists. Songs Jim has mixed, engineered, or produced have been featured in TV shows, movies, and commercials, as well as garnering millions of streams across […]
EP 113: Simon Grove – How to Get Killer Bass Tones
Simon Grove is a music producer based in Sydney, Australia. Having an equally strong musical background as a bass player and guitarist, he is able to seamlessly bridge the division between engineer and musician. This allows him to create records with technical precision whilst retaining the music’s intended character and dynamic. Simon has built a […]
EP 112: Jay Ruston – Mixing Rock Records With Feel
Jay Ruston began his recording career in Canada in the early 1990’s, training under legendary producer Jack Richardson (Alice Cooper, Bob Seger, The Guess Who). In 2003, Jay relocated to Los Angeles where he quickly fell in favor of producers such as Desmond Child and Peter Asher. Since then, Jay has produced or mixed records […]
EP 111: Maor Appelbaum – Creativity in Mastering
Maor Appelbaum is a mastering engineer and musician. After working as a staff engineer (mixing, recording, and mastering) for famed record producer Sylvia Massy Shivy at Radiostar Studios in Weed, California, Maor moved to Los Angeles where he opened his private mastering suite. Maor has had the pleasure of mastering recordings for major international acts […]
EP 110: Andrew Scheps – Streamlining Your Mixing Workflow
A Long Island native who got his start playing jazz trumpet, Andrew Scheps has mixed records for artists such as the Red Hot Chili Peppers, Adele, Metallica, Jay-Z and many others. After graduating from the Recording Engineering Program at the University of Miami, he spent some time working for New England Digital as a field […]
EP 109: Vance Powell – Making Mixes With Character
Vance Powell is an American six-time Grammy Award winning record producer, engineer and mixer. His credits include Phish, Chris Stapleton, Jack White, Tyler Bryant & The Shakedown, The Raconteurs, The Dead Weather, The White Stripes, Arctic Monkeys, Wolfmother, Deadly Apples, Seasick Steve, Black Prairie, The Revivalists, Tinariwen, JEFF the Brotherhood, Daniel Ellsworth & The Great […]
EP 108: Daniel Rowland – The Role of AI in Music
Daniel Rowland is an audio engineer, producer, educator, and music tech executive. He holds both a B.S and M.F.A in Music Technology, and is currently Head of Strategy and Partnerships at Montreal’s LANDR Audio, and a longtime professor at MTSU in Nashville. Daniel has been part of numerous international tours; produced the music for an […]
EP 107: Brad Blackwood – Mastering With Objectivity
Brad Blackwood is a Grammy & Pensado award-winning mastering engineer based in Memphis. Tennessee He went to Full Sail, then moved to Memphis to hone his skills at the legendary Ardent Studios. After spending several years learning the ins and outs of recording and mixing, Brad turned his focus on resurrecting Ardent Mastering, a division […]
EP 106: Christopher Scott Cooper – Mixing Live Sound
Christopher Scott Cooper has been playing guitar since the age of five, composing and songwriting since the age of fifteen, and has over 30 years of experience as an audio engineer and producer. He became a Front of House (FOH) mixer and live sound engineer by chance, spending the late 1980s touring and providing services […]